Pactt Dance Festival 2010
PACTT staat voor: Professioneel Artistiek interCultureel platform voor Toonaangevend jong internationaal Talent. Vzw PACTT (Antwerpen) wil een grensoverschrijdende culturele samenwerking zijn tussen België, Nederland, Slowakije, Oostenrijk en Duitsland. Het PACTT
Dance Festival omvat masterclasses en 2 dansvoorstellingen. In deze dansvoorstellingen staan jonge dansers uit verschillende Europese dansopleidingen samen met professionele dansers en dansgezelschappen uit Europa en ver daarbuiten op het podium. Ook jong talent uit amateur-dansscholen willen wij in dit festival welkom heten.
- Zaterdag 6 februari 2010 om 18 uur / Prijs: 8 - 5 euro (CJP, 3+ pas en Danspuntleden)
- Zondag 7 februari 2010 om 18 uur / 15 - 12 euro (CJP, 3+ pas en Danspuntleden)
- Reservatie: 03 890 69 30 Ter Dilft
- CultuurcentrumTer Dilft St. Amandsesteenweg 41 2880 Bornem.
- Organisatie: PACTT vzw o.i.v. de ! Kunsthumaniora DANS
- Verantwoordelijke: Guy Pauwels
Met financiële steun en medewerking van DANSPUNT / Provincie Antwerpen / C.C. Ter Dilft / Terpsichore vzw / Ambassade Israël / Nationale Loterij / Internationale subsidie van de Vlaamse Overheid.
Voorstelling van zaterdag 6 februari 2010 om 18u
Programma:
- Batsheva Ensemble ’Passomezzo’ van Ohad Naharin
- Joeri Dubbe en Raphael Eder Kastling dansen ’Theia’
- ’The best Youtube Contemporary Dance Solo 2010’ Prijswinnaar Nathan Jardin België
- Conservatory of J.L.Bella ’Remote Family’ van Tomas Nepsinsky
- Dansstudio Arlekino Choreografie van Elie Tass
- SEAD choreografie van Renan Martins met Griet Vanden Houden en Stephanie Van Aken oud leerlingen van KHA.(OV)
- Jong talent van eigen bodem: de ! KUNSTHUMANIORA DANS
- Solo van Floor Knuyt en Wynants Marie
- Olivia Van de Peer danst ’Cum vox sanguinis’ van Sidi Larbi Cherkaoui.
Voorstelling van zondag 7 februari 2010 om 18u
Programma (OV):
- Artesis / Koninklijk Conservatorium, opleiding dans te Lier
- ArtEZ Dansacademie Arnhem ’TRACK’ van Amos Ben -Tal
- Batsheva Ensemble ’Passomezzo’ van Ohad Naharin
- P.A.R.T.S. / Brussel
- Terpsichore Junior Company ‘traPPed’ van Kathy Van den Bergh
- Codarts / Rotterdam Neel Verdoorn ’Tango’ met Yorrith de Bakker oud leerling van de !
- KUNSTHUMANIORA DANS
- de ! KUNSTHUMANIORA DANS 6 dans Choreografie van Joeri Dubbe
Masterclasses
| Uren | zaterdag 06/02/10 Balletzaal | zondag 07/02/10 Balletzaal |
|---|---|---|
| 13u00 -15u00 | Daniel Racek | Uri Shafir |
Deelname in de kosten:
- € 20 voor 2 lessen / Per les € 11
- € 15 voor 2 lessen / Per les € 8 (Danspuntleden)
Inschrijving door overschrijving op rekening ING: 363-0349515-64
Vermelding bij de overschrijving: Naam / Masterclasses februari 2010
Deelnemersformulier - Deelnemersformulier
terug zenden of mailen naar:
- PACTT vzw
- Campus Wilrijk
- Kerkelei 43
- 2610 Wilrijk/ België
- 00.32.(0)486.96.07.06
- email:
Daniel Racek (Slowakije)
Contemporary dance
Choreographer and dancer working as a freelancer. In the past collaborated with various choreographers at home and abroad; Z. Hajkova, J. Hamilton, M. Helmerhorst, E. Gal, A. Sedlackova, P. Fornay, M. Polakova, M. Hawkins, I.M. Popovici, K. Foss, M. Sinke, M. Renzi… Involved into various workshops all around Europe, focusing on improvisation, contact improvisation and number of other projects home and abroad.
Presently is stable member of theatre companies Debris Company, Studio Tanca B. Bystrica, Karren Foss Company and teaching dance techniques on conservatoire of J.L. Bella in B. Bystrica.
In 2006 the prime winner of the Philip Morris prize; The Flower of the ballet. Graduated on faculty of Mathematics and Physics and faculty of dance on Academy of performing arts in Bratislava.
Uri Shafir Israël
GAGA
Uri Shafir was born in Israël in 1983, joined the Batsheva Ensemble in 2008.
Gaga challenges multi layer tasks. It is fundamental for gaga users to be available for this challenge. At once we, the users, can be involved in moving slowly through space while a quick action in our body is in progress. Those dynamics of movement are only a portion of what else might go on at the same time.
We are letting our mind observe and analyze many things at once, we are aware of the connection between effort and pleasure, we connect to the “sense of plenty of time”, especially when we move fast, we are aware of the distance between our body parts, we are aware of the friction between flesh and bones, we sense the weight of our body parts, we are aware of where we hold unnecessary tension, we let go only to bring life and efficient movement to where we let go...
We are listening, seeing, measuring, playing with the texture of our flesh, we might be silly, decorating our inside, we can laugh at ourselves. We learn to love our sweat, we discover our passion to move and connect it to effort, we discover both the animal in us and the power of our imagination.
We learn to appreciate understatement and exaggeration, we discover the difference between joy and pleasure and use both to protect ourselves from injuring and hurting our body, we learn to apply our force in an efficient way and we learn to use “other” forces, We become more delicate and we recognize the importance of the flow of energy and information through our body in all directions!
We discover the advantage of soft flesh and sensitive hands, we learn to connect to groove even when there is no music. We become more aware of people in the room and we realize that we are not in the center of it all. We never look at ourselves in a mirror, there are no mirrors. We become better aware of our form. We connect to the sense of the endless of possibilities. We explore multi dimensional movement, we enjoy the burning sensation in our muscles, we are ready to snap, we are aware of what we are made of, we are aware of our explosive power and some times we use it. We change our movement habits by finding new ones, we can be calm and alert at once. We become available...
Ohad Naharin
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